Ten years after their high school graduation, Romy (Mira Sorvino) and Michele (Lisa Kudrow) haven't exactly accomplished everything that they set out to do. Despite their strong friendship, their personal and professional lives are still lacking. When they hear of their upcoming high school reunion, they take it as an opportunity to show their classmates how much they've changed -- first by trying to reform themselves, then by creating a lie that eventually spins out of control.

In Berlin in 1931, American cabaret singer Sally Bowles (Liza Minnelli) meets British academic Brian Roberts (Michael York), who is finishing his university studies. Despite Brian's confusion over his sexuality, the pair become lovers, but the arrival of the wealthy and decadent playboy Maximilian von Heune (Helmut Griem) complicates matters for them both. This love triangle plays out against the rise of the Nazi party and the collapse of the Weimar Republic.

A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress. Together, the two attempt to solve the mystery of Rita's true identity. The story is set in a dream-like Los Angeles, spoilt neither by traffic jams nor smog.

When inexperienced criminal Sonny Wortzik (Al Pacino) leads a bank robbery in Brooklyn, things quickly go wrong, and a hostage situation develops. As Sonny and his accomplice, Sal Naturile (John Cazale), try desperately to remain in control, a media circus develops and the FBI arrives, creating even more tension. Gradually, Sonny's surprising motivations behind the robbery are revealed, and his standoff with law enforcement moves toward its inevitable end.

There’s a killer on the loose in New York City, and he’s targeting gay men in the West Village. Fortunately for the NYPD, he’s got a type – slim, dark-haired, handsome – and officer Steve Burns (Al Pacino) fits the bill. To crack the case, Steve must journey into the city’s nocturnal underworld of S&M and leather bars, hoping to catch the killer’s eye – but will he lose himself along the way? Controversial with both straight and gay audiences upon its initial release, Friedkin’s film still retains its power to shock and unsettle 45 years later.

When a beautiful stranger leads computer hacker Neo to a forbidding underworld, he discovers the shocking truth--the life he knows is the elaborate deception of an evil cyber-intelligence.

Funeral Parade is proud to present Teorema (Theorem), Pier Paolo Pasolini’s bisexual arthouse classic of the Swinging Sixties.

An upper-class Milanese family is turned on its head by arrival of a beautiful, mysterious stranger known only as The Vistor (Terence Stamp). He takes up residence in the family’s vast estate and soon begins seducing them one by one: the tortured patriarch (Massimo Girotti) and his repressed wife (Silvana Mangano); their devoutly religious maid (Laura Betti); and their troubled teenage children (Anne Wiazemsky and Andrés José Cruz Soublette). What profound revelations will these affairs bring about for this typical bourgeoise family? At once sensual, scandalous, and spiritual, Teorema remains one of Pasolini’s essential films.

Rodeo cowboy Jack and ranch hand Ennis are hired as sheepherders in 1963 Wyoming. One night on Brokeback Mountain, they spark a physical relationship. Though Ennis marries his longtime sweetheart and Jack marries a fellow rodeo rider, they keep up their tortured, sporadic love affair for 20 years.

Reality and fantasy begin to blur when a teenager, alone in her attic bedroom, immerses herself in a role-playing horror game online.

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen's view of reality begins to crack.

Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous Grand Slam champion. To jolt him out of his recent losing streak, she signs him up for a "Challenger" event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi's former boyfriend.

A frustrated housewife, Francine Fishpaw (Divine), tries to maintain her sanity while taking care of her dysfunctional household. Elmer (David Samson), her husband and the owner of an adult theater, is sleeping with his secretary, and her delinquent teen son, Dexter (Ken King), and pregnant teen daughter, Lulu (Mary Garlington), aren't helping matters any. But when Francine meets dashing Todd Tomorrow (Tab Hunter), the owner of a theater specializing in art films, her life appears rosier.

Presented in Odorama – Scratch 'n' Sniff Odorama cards will be handed out to ticket holders on a first-come, first-served basis, while supplies last (if you are coming as a couple, take one card, please, so we have enough to go around). 

On a Friday night after hanging out with his straight mates, Russell heads out to a nightclub, alone and on the pull. Just before closing time, he picks up Glen. And so begins a weekend - in bars and in bedrooms, getting drunk and taking drugs, telling stories, having sex and building a deep emotional bond.

Now a classic in gay cinema, WEEKEND was the breakout film from writer/director Andrew Haigh and a turning point for British queer cinema. Featuring a one-night stand that turns into an unforgettable weekend - WEEKEND truly is a must-see LGBTQ+ film.

Petra von Kant is a successful fashion designer – arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an ‘internationally ignored' but divinely talented rock diva, inhabiting a ‘beautiful gender of one'.